Thursday, May 18, 2017

Our NAB 2017 Show Report is Live!

Barbizon NAB 2017 Show Report
Whether you attended the 2017 NAB show or not sometimes you feel like there is so much information that it would help if someone were to digest it down into useful pieces for you.
We'll we're happy to report that Barbizon sent our team across the floor to sleuth out the latest and greatest releases from over 50 manufacturers in lighting, grip and other interesting accessories and we put them all in one place for you to read about.

Check out the 2017 Barbizon Show Report today! 

Thursday, April 13, 2017

Visit Barbizon at NAB 2017

Will you be attending the #NABshow in Las Vegas April 24-27? 

Stop by Barbizon Lighting for our in-booth educational seminars on a wide range of topics like: 

  • Choosing Color Temperature
  • Lighting in Multi-Camera Situations
  • Creating the Shot from Source Material 
  • Trends in Next-generation Lighting Kits

Stop by booth C7949 for some free M&M's and some education!


Thursday, January 26, 2017

Extravaganza 2017 at Univ of North Carolina School of the Arts

On Thursday and Friday, Jan 12 & 13 Barbizon Lighting’s Charlotte office hosted its annual Extravaganza in coordination with the University of North Carolina School of the Arts Design and Production department.

In past years, the event was a one day expo-type event with entertainment technology manufacturers coming to the region to show the latest to students, faculty and professionals in the region.

For 2017, the event added a second day before the expo that was to be dedicated to education.  Barbizon collaborated with UNCSA’s faculty to develop class tracks for individuals with interests in both the film/video side and to those who tend to focus on the theatrical side.  

Barbizon also partnered with Electronic Theatre Controls to provide a full-day lighting console training opportunity for the ETC Ion control platform.

Thursday’s Education day ended with an insightful talk by Luc Mayrand, Vice President, Creative Portfolio Executive, Hong Kong and Shanghai Disney Resorts.

Friday morning kicked off the Expo portion of the event where over 50 manufacturers were on-hand with the latest in entertainment technology.

The two-day event culminated with a keynote talk entitled "A Conversation on the use of Color" by lighting designers Beverly Emmons and Mark Stanley.

This year’s raffle prize drawing winners were:
Rick Earl, Caleb Skinner, Hunter Brierly, Brian Steele, Jeff Sochko, Mike Murden, Hannah Fuqua, Aaron Bobeck, Matt Tillett, Taylor Jeffries, Sean Saari, Lorenzo Lagola, Christy Edney, Prince Sarpong, Eric Gesaldo, Nick Iyoob, Richard Pruitt, Will Moore, and Lisa Magee.

Barbizon would like to thank the staff, student, and administration of School of the Arts, especially Eric Rimes, and Josh Selander for their hospitality and also the following manufacturers for coming to Winston-Salem for this year’s event.




Thursday, January 19, 2017

Barbizon Lighting's NYC Offices Host Roundabout Theatre's Theatrical Workforce Development Program (TWDP)



Barbizon's Albert Rosado working with the TWDP Class
Today Barbizon Lighting hosted a training session for students in the Roundabout Theatre's Theatrical Workforce Development Program (TWDP) in conjunction with IATSE Local 1 and other employment partners in the New York area.

At the Barbizon education seminar, students were introduced to different types of fixtures, rigging, and control. There were broad discussions on color temperature, lamp and fixture types, and how theatrical systems integration groups work on projects. They explained construction drawings, and the role of project managers and field service technicians on projects. 

Barbizon's John Gebbie discusses theatrical systems integration.
The Theatrical Workforce Development Program (TWDP) reflects Roundabout and IATSE's efforts to provide underprivileged and underrepresented young adults access to career pathways in the technical theatre industry. This three-year program will train and place recent NYC public high school graduates into paying professional production positions.

The TWDP's goals are:
  1. To break down the barriers that prevent disadvantaged young adults from gaining economic stability. 
  2. To bring equity and diversity to a field of high-quality, skill-based jobs in a growing economic sector. 
  3. To educate and encourage a new generation of passionate theatre professionals. 
For more information on the Theatrical Workforce Development Program visit:
http://www.roundabouttheatre.org/Teach-Learn/Theatre-Programs/Theatrical-Workforce-Development.aspx

Tuesday, December 06, 2016

Granger Community Church Lights Things Up with Cineo & Barbizon

Below is a repost from the Cineo Website.



Granger Community Church, based in Northern Indiana, has two campus locations, Granger and Elkhart, as well as an extensive online presence for people around the world to celebrate and access GCC’s message. The church uses a variety of creative and visual arts to deliver their message shooting a wealth of videos created in house. The Visual Arts team at Granger in fact captures and produces a wide range of content for its services and presentations with almost half the videos being storytelling, documentary style works. For many of their video shoots Granger’s team relies on Cineo Lighting products.

Dustin Maust, Director for Film Design, works with a video team that shoots both in the church’s in-house studio and in the field to produce the numerous pieces of video and news segments used for the church’s worship services and online. Maust, who has been working at Granger Church since 2002, recently spoke about why they chose to use Cineo units for both studio and on-location work. “We have a nice range of Cineo products, including HS, Mavericks, LS, and Matchstix units,” explains Maust. “in our inventory for over a year now and we love them. As a full production house we shoot all sorts of style videos—story videos, news pieces, promos, commercials. You name it and we take the Cineos on every shoot because we love the portability of them. They are nice softlight for the shoots that we do. We came from using Kino Flo Diva-Lites, but I prefer the HS; they are more powerful. I feel like they are just a much better soft light and we have much more control than with the Diva.”

Maust and his video team selected the Cineo gear after seeing the product line at the NAB show while exploring lighting and camera equipment to purchase for their inventory. “We looked at a lot of lights from a lot of companies and the Cineo Lighting products were the ones we really felt worked best for us, we liked what we saw,” Maust comments. “The first thing with any light I do is take a look at the quality light; ‘does it look good? Does it produce the sort of results that I want?’ The HS lights are a great soft source; they’re easy to shape and are powerful. It’s very easy to get plenty of light from them to compete with the natural light coming in from a window for instance. I really like that, especially as we do a lot of location shooting. The other thing about all of the Cineo lights is that they’re built really, really well. It doesn’t feel like you’re compromising at all. They are really well built and engineered well. That they are so portable is a great bonus with the quality of the light.”

Granger Community Church, though in the process of building out a larger studio space, does shoot some15% of their content in a small on-campus studio. “We use the Cineo HS units in our studio and for every weekend service we shoot a news-style piece; one person presenting with a seamless backdrop; just really clean, really simple. We use the Cineo lights for some really soft light. For the balance of our shoots, about 85% of the time, we are on a location somewhere; on those shoots we use the Mavericks, LS, Matchstix, and the HS units as well.”

The high output, paired with the low power draw is a big benefit for the filmmakers of Granger Church’s Visual Arts team. “To get the output that we want out of the HS lights while just plugging into a wall outlet is a big benefit,” states Maust. “To capture the documentary-style videos we often show up at a person’s house or other random locations to shoot. It’s not like we have access to special electrical power. The fact that we can just plug them into a wall outlet is pretty incredible. Our goal in a lot of shoots, is to make the lighting feel as real as possible. Just the other day, we put a couple of the Mavericks outside a window and shot them in; it was perfect. No one knew that the light coming through the window wasn’t daylight. We have found they are very versatile lights.”

The video team is shooting predominantly at a daylight color temperature, yet appreciate how easy it is to change out the phosphor panels when needed. “I would say that 95% of the time we’re shooting daylight, 5,600K, and using them in tandem with natural daylight coming from nearby windows,” notes Maust. “We do have the 3,200K panels that we can always pop on. That’s another nice feature that the phosphor panels just pop in so you can easily and quickly change the color temperature. In addition to how easy it is to adjust the color temperature, I want to mention the important fact that the Cineo lights are all flicker-free. We shoot some of our work at 200-300 frames per second with our Red Epic cameras. It’s great to have the Cineo lights that give us results that are completely flicker-free.”

Maust and his fellow filmmakers also appreciate the ability to use a camera battery to power the lights when no local power is readily available or if the shoot requires them to stay portable. “There’s a lot of times where we can have a very portable light with the Maverick. We just use a V-lock battery and now the light is easily movable; it’s quick; and you don’t have to find an outlet. We did a video shoot last week and one person was manning the light and moving it where it was needed. That was nice because it kept things moving along and well lit at the same time. It’s really great to have something so lightweight and give a soft light without a lot of work to move it around.”

He finds similar benefits with the Cineo 12” Matchstix lights, “Those lights are great for being able to place them in locations where there isn’t a lot of room for lighting. We don’t need to use them a ton but when we do they are just what we need. We can stick them in tight places and feed them using a V-mount battery. Most of the time we don’t have to go as small as the Matchstixs but I will say what’s awesome about the HS’s and the Mavericks is how thin they are. When we are on a set, we can easily stick them just about anywhere. We find ways to hide them and that’s a big bonus, especially for a softlight. And all of the Cineo lights play really, really well together,” maintains Maust. “To have a really powerful HS and some of the small Matchstix and everything in between is awesome.”

The Granger Church made their Cineo purchase through lighting dealer, Barbizon Chicago, adds Maust. “We’re big fans of Barbizon; they have been great to deal with and we’ve been completely happy working with them. All around it has been a good experience with them and with our purchase. We are really very pleased with the Cineo lights.”

For more information about Granger Community Church, please go to: http://gccwired.com/
For more info about Cineo Lighting check out http://www.cineolighting.com/